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. Plot Summary By Michael J. Cummings...© 2003 .......Pericles, Prince of Tyre, accepts a challenge to solve a riddle and thereby win the hand of the daughter of Antiochus, King of Antioch. Gower, a narrator who recites a prologue at the beginning of each of the five acts, describes her as a breathtaking beauty. Anyone desiring to marry her must first solve the riddle. There’s a catch, though. If a suitor provides the wrong answer to the riddle, he will be decapitated and his head hung high for all to see. In the presence of the king and his daughter, Pericles risks all and reads the riddle: I am no viper, yet I feed.......The young prince immediately hits upon the correct interpretation of the puzzle–namely, that Antiochus beds his own daughter. Incest! The most abominable of moral transgressions! The seventh line of the riddle provides the telltale clue: that the princess serves as the wife of Antiochus, thus becoming her own “mother” while yet remaining the king’s daughter. .......In Tarsus, the citizens are suffering through a great famine. When Pericles arrives, Lord Governor Cleon wonders whether the royal visitor means to take advantage of the situation and make war. But Pericles tells Cleon he has come in peace with a shipload of corn, for he has heard of the starvation in Tarsus and means to distribute the corn so the people can make bread and restore their vitality. Pericles asks only that he be allowed to remain in Tarsus for a short time. After Cleon heartily welcomes Pericles, the prince’s men unload the corn, and Tarsus is saved. .......After Thaliard tracks Pericles to Tarsus, the prince–not wishing to imperil his new friends–sets sail one more time. Out in the loneliness of the sea, he encounters a terrible storm that wrecks his ship and sends all of its crew, save for Pericles himself, to the ocean depths. Pericles struggles to shore at Pentapolis on the coast of North Africa. Three fishermen come upon him and ask who he is and what he wants: A man whom both the waters and the wind,.......One fisherman, taking him aside, tells him where he is and says the king of the realm is Simonides, a good and peaceful ruler whose court is half a day’s journey away. The king has a beautiful daughter named Thaisa, the fisherman says, and on the morrow young men from far-off lands will assemble to joust in a great tournament celebrating Thaisa’s birthday. Pericles longs to participate in the competition, but he has lost his armor in the shipwreck. By and by, however, the other fishermen retrieve the armor with their fishing nets. It is a bit rusty, but usable. .......At the tournament the following day, Pericles defeats knights from Sparta, Macedon, Antioch, and other kingdoms, thereby earning a seat of honor at a great banquet where he receives a victory wreath from Thaisa and the congratulations of the other knights, all gracious losers. The Spartan knight says that we are gentlemen.......Thaisa is quite taken with young Pericles–in fact, she loves him. There is music and dancing, and a merry time is had by all. The next day, Thaisa and Pericles both pledge their undying love for each other, and King Simonides arranges a wedding for them. .......Several months pass as the newlyweds live a blissful, uneventful life at the court–save for one development: Thaisa is pregnant. News from abroad then arrives with these messages: First, King Antiochus and his daughter are dead; second, nobles in Tyre plan to crown Helicanus king (against his wishes) unless Pericles returns soon and accepts the crown himself. All of Pentapolis then rejoices that young Pericles will become King Pericles! .......On Pericles’s sea voyage back to Tyre with Thaisa, thunder booms and lightning flashes just as Thaisa goes into labor. With her is her midwife, Lychorida. Pericles prays to the goddess of childbirth, Lucina, that Thaisa will have an easy childbirth, asking her to “make swift the pangs / Of my queen’s travails!" (3. 1. 14-15). Lychorida then enters carrying an infant. The child is healthy and beautiful, but the words Lychorida speaks are venom to the heart of Pericles. She tells him to “take in your arms this piece / Of your dead queen” (3. 1. 20-21). .......Pericles hardly has time to bid good-bye to Thaisa, for a sailor tells him: “Sir, your queen must overboard: the sea works high, the wind is loud, and will not lie till the ship be cleared of the dead” (3. 1. 51). .......Thaisa’s body is placed in a chest along with a note identifying her as the daughter of a king and asking the finder of the chest (if it floats ashore) to honor her with a fitting burial. After sailors cast the chest overboard, Pericles sails on to Tarsus, where he leaves his infant daughter, called Marina, and Lychorida under the protection of the governor, Cleon (whose city Pericles earlier saved from the brink of starvation), and his wife, Dyonyza. He does so because he does not want his baby to endure the hardships of the voyage to Tyre. Meanwhile, the chest floats to Ephesus, where servants of a physician named Cerimon finds it. After they take it to him and open it, Cerimon, noticing how well preserved Thaisa is, suspects she is not yet dead and, working over her, revives her. When she recovers, she becomes a priestess serving the goddess Diana. .......In Tarsus, Marina grows into a beautiful and intelligent young lady. Dionyza is not pleased, however, because Marina outshines her own daughter, Philoten, in every way. Filled with envy, Dionyza orders her servant, Leonine, to kill Marina. However, at the moment when Leonine seizes Marina and goes off to fulfill his evil commission, pirates kidnap Marina and scare Leonine off. Afraid to tell Dionyza that he failed, Leonine reports that he killed Marina, as ordered. Dionyza then poisons Leonine to eliminate her connection with the murder. The pirates sell Marina to a brothel in Mytilene, where a bawd tells her that she will live a life of pleasure in which she knows the company of many gentlemen. The bawd’s servant, Boult, announces in the marketplace that the brothel has a new young lady of incomparable beauty to serve the men of the town. Bravely, Marina vows she will not cooperate with her overlords: If fires be hot, knives sharp, or waters deep,.......Pericles, meanwhile, sets sail for Tarsus to see his long-absent daughter, this time leaving Escanes, a lord of Tyre, in charge of the government. Dionyza has given out word that Marina is dead and has even erected a monument to her with an epitaph in golden characters. Upon his arrival in Tarsus, Pericles learns of his daughter’s “death,” visits her tomb, and then leaves for Tyre. .......In Mytilene, Marina’s fierce defense of her chastity, as well as her virtuous daily living, endear her to citizens of the city, including its governor, Lysimachus. Consequently, she is allowed to retain her honor and pursue a career as a teacher and, later, a singer and dancer. .......On Pericles’s return to Tyre, winds blow his ship off course and into the port of Mytilene. There, his representatives tell Governor Lysimachus that Pericles is a nearly broken man who laments the loss of his daughter and earlier the loss of his wife. For three months, he has not spoken a single word. Lysimachus says he knows of a maid who can cure Pericles of his grief with the sweetness of her songs. The maid is Marina. When she enters, she tells Pericles she also knows the meaning of grief. She adds, Though wayward fortune did malign my state,Pericles questions her about her ancestors. When her story unfolds, he realizes she is his daughter and rejoices, casting off the terrible depression that had possessed him. .......Later, when Pericles sleeps, the goddess Diana appears to him and instructs him to make a sacrifice at her temple in Ephesus and to reveal how he lost his wife. Once again, the wind fills the sails of his ship and, with Marina and his friends, he travels to Ephesus. There, he presents himself at Diana’s temple before the high priestess and virgins. After identifying himself as the King of Tyre, he recounts events of his life beginning with his marriage to Thaisa at Pentapolis. The high priestess replies, “Voice and favour! / You are, you are–O royal Pericles!” (5. 3. 16-17). The high priestess is, of course, Thaisa. After Pericles recognizes her, they and Marina are joyfully reunited. Marina then marries Lysimachus, and they become rulers of Tyre. Pericles and Thaisa rule in Pentapolis after Thaisa’s father, King Simonides, dies. In a closing epilogue, Gower observes that virtue has triumphed, “led on by heaven, and crown’d with joy at last” (5. 3. 106). . . Protagonist: Pericles Antagonist: Evil in the form of Antiochus, Thaliard, and Other Characters Who Oppose Pericles . Pericles: Prince of Tyre. Noble young man who must flee Antioch after he discovers a dark secret: that the King of Antioch is committing incest. Pericles roams the Mediterranean world, facing challenges and setbacks. In some ways, he resembles the biblical Job with respect to his resilience. Antiochus: King of Antioch. He is an evil man who beds his own daughter. Daughter of Antiochus: Beautiful young woman whom the king reserves for himself. Helicanus: Lord of Tyre, loyal to Pericles. He operates the government of Tyre in the absence of Pericles. Escanes: Lord of Tyre. Simonides: King of Pentapolis. Unlike Antiochus, Simonides is a just and upright ruler Thaisa: Princess, daughter of Simonides. Pericles wins her hand while sojourning in Pentapolis. Thaisa is a paragon of virtue and refuses to yield herself to the patrons of a brothel. Lychorida: Nurse of Marina. Cleon: Governor of Tarsus. Dionyza: Wife of Cleon. Lysimachus: Governor of Mytilene. Cerimon: A Lord of Ephesus. Thaliard: A lord of Antioch who readily accepts a commission to assassinate Pericles. Philemon: Servant of Cerimon. Leonine: Servant of Dionyza. Gower: Chorus. He comments on the drama at the beginning of each act. Click here for information about his role. Marshal Bawd: Keeper of a brothel in Mytilene. Pandar: Procurer and pimp at the brothel. Boult: Pandar's servant. Minor Characters: Lords, knights, gentlemen, sailors, pirates, fishermen, messengers. . . The action takes place in ancient Antioch, Tyre, Tarsus, Pentapolis, Ephesus and Mytilene. Antioch (present-day Antakya) is in southern Turkey, northeast of Cyprus and northwest of Syria. Tyre (present-day Sur) is on the coast of southern Lebanon, just north of the Israeli border. Tarsus is in southern Turkey, about 12 miles north of the Mediterranean coast. Pentapolis is in north Africa and, in ancient times, consisted of five cities. Ephesus, near the sea in western Turkey, no longer exists but its ruins are near present-day Selcuk. Mytilene (present-day Mitilini) is on the Greek island of Lesbos in the Aegean Sea. . Climax . The climax of a play or another narrative work, such as a short story or a novel, can be defined as (1) the turning point at which the conflict begins to resolve itself for better or worse, or as (2) the final and most exciting event in a series of events. The climax of Pericles occurs, according to the first definition, when Lychorida tells Pericles that Thaisa has died giving birth to Pericles's daughter. Although devastated by this news, he accepts the decree of Fate, speaks a hasty eulogy over the body of Thaisa, then gives her up to the sea. He next sails to Tarsus to place his infant in the care of friends. His actions demonstrate that he yet retains the will to persevere in life in spite of his setbacks. He is like the biblical Job, who doggedly carries on in the face of calamity. According to the second definition, the climax occurs in the final act when he reunites with Thaisa. The climactic moment comes in the following exchange: . ..............THAISA:.....O, my lord, ..............Are you not Pericles? Like him you spake, ..............Like him you are: did you not name a tempest, ..............A birth, and death? ..............PERICLES:.....The voice of dead Thaisa! ..............THAISA That Thaisa am I, supposed dead ..............And drown'd. (5. 3. 38-44) . Life is an unpredictable, and often harrowing, journey. Young Pericles learns that life is full of dangerous twists and turns–and sometimes pleasant surprises. His journey throughout the Mediterranean region appears to symbolize the journey through life. It is not unlike the journey taken by Odysseus in Homer's Odyssey. The latter hero also underwent many tests of his mettle and, like Pericles, lost his ship and all of his men. Also, like Pericles, Odysseus was reunited with his wife and child at the end. Never give up. Like Job in the Old Testament of the Bible, Pericles undergoes many trials and encounters many setbacks. Though weighted down by all of his losses, he carries on–just barely. Gower observes that He bearsIn the end, he receives his just rewards. All is not as it seems. This theme becomes apparent at the very beginning, when Pericles discovers that the lovely Princess of Antioch, whom he hopes to marry, and her father are evildoers. Deviant sexuality and harlotry are evil. King Antiochus and his daughter commit incest. Shakespeare contrasts these despicable characters with the upright King Simonides and his daughter, Thaisa, who marries Pericles. Their daughter, Marina, after growing to young adulthood, refuses to compromise her chastity after pirates sell her to a house of prostitution. She says:
Untied I still my virgin knot will keep. Diana, aid my purpose! (4. 2. 74)
Of monstrous lust the due and just reward: In Pericles, his queen and daughter, seen, though assail'd with fortune fierce and keen, Virtue preserved from fell destruction's blast, Led on by heaven, and crown'd with joy at last. (5. 3. 101-106) . Pericles is a play that contrasts good and evil. We have the evil King Antiochus contrasting with the good KIng Simonides, the evil daughter of Antiochus contrasting with the good daughter of Simonides, the evil Dionyza contrasting with the good Lychorida, the evil servant Leonine contrasting with the good servant Philemon, and so on. In preaching goodness over evil, Shakespeare presents many mini-sermons and mini-speeches in the form of figures of speech such as metaphors and similes. Here are examples: Few love to hear the sins they love to act. (1. 1. 87) . Shakespeare sets Pericles, Prince of Athens in ancient times. However, King Antiochus's henchman, Thaliard, plans to murder Pericles with a pistol, which of course had not yet been invented. In Pentapolis, Pericles participates in what appears to be a medieval-style jousting tournament against five knights. The combatants wear armor, bear shields emblazoned with coats of arms, carry lances, and abide by the rules of chivalry. What gives? Maybe Shakespeare, like Albert Einstein, thought time and space were relative concepts, able to be bent and warped by another force. In Pericles, it is not the pull of gravity that does the trick (as in Einstein's General Theory of Relativity) but the pull of the imagination, which is infinitely more powerful–and whimsical. Pandar and the Evolution of an English Word In
Pericles,
the name of a minor character, Pandar, appears to be an allusion to Pandarus,
an ally of the Trojans in Homer’s account of the Trojan War in The Iliad.
In medieval and Renaissance literature, writers cast Pandarus in the role
of a go-between, or matchmaker, in a love affair between the Trojan prince
Troilus and the Trojan woman Cressida. In time, the word panderer
(derived from Pandarus and Pandar) evolved into popular use
to identify an agent who brings lovers together or, in less euphemistic
words, to identify a pimp, a procurer, or a whoremonger. Among the writers
who wrote about Troilus, Cressida, and Pandarus (or Pandar) were Benoît
de Sainte-Maure, Giovanni Boccaccio, Geoffrey Chaucer, and, of course,
Shakespeare.
Pericles, Prince of Tyre is a comedy with tragic elements–that is, a tragicomedy. Shakespeare
based Pericles, Prince of Tyre on a work by the 14th Century author
John Gower. (See Key Dates and Sources.) He is the
same Gower (resurrected, by the magic of Shakespeare's quill) who acts
as chorus and narrator of Pericles. His role is to present a short
introduction to each act, helping to give the play a once-upon-a-time,
fairytale atmosphere; to comment on the morality of the characters; and
to review the progress of events.
Study Questions and Essay Topics 1. Which character in the
play is the most admirable? Which is the least admirable?
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| Film | Director | Actors |
| Antony and Cleopatra (1974) | Trevor Nunn, John Schoffield | Richard Johnson, Janet Suzman |
| As You Like It (1937) NR | Paul Czinner | Henry Ainley, Felix Aylmer |
| Hamlet (1948) NR | Laurence Olivier | Laurence Olivier, Jean Simmons |
| Hamlet (1990) NR | Kevin Kline | Kevin Kline |
| Hamlet (1991) PG | Franco Zeffirelli | Mel Gibson, Glenn Close |
| Hamlet (1996) PG-13 | Kenneth Branagh | Kenneth Branagh, |
| Hamlet (1964) NR | John Gielgud, Bill Colleran | Richard Burton, Hume Cronyn |
| Hamlet (1964) NR | Grigori Kozintsev | Innokenti Smoktunovsky |
| Hamlet (2000) NR | Cambpell Scott, Eric Simonson | Campbell Scott, Blair Brown |
| Henry V (1989) PG-13 | Kenneth Branagh | Kenneth Branaugh, Derek Jacobi |
| Henry V( 1946) NR | Laurence Olivier | Leslie Banks, Felix Aylmer |
| Julius Caesar (1950) NR | David Bradley | Charlton Heston |
| Julius Caesar (1953) NR | Joseph L. Mankiewicz | Marlon Brando, James Mason |
| Julius Caesar (1970) G | Stuart Burge | Charlton Heston, Jason Robards |
| King Lear (1970) | Grigori Kozintsev | Yuri Yarvet |
| King Lear (1971) | Peter Brook | Cyril Cusack, Susan Engel |
| King Lear (1974) NR | Edwin Sherin | James Earl Jones |
| King Lear (1976) NR | Tony Davenall | Patrick Mower, Ann Lynn |
| King Lear (1984) NR | Michael Elliott | Laurence Olivier, Colin Blakely |
| King Lear (1997) NR | Richard Eyre | Ian Holm |
| Love's Labour's Lost (2000) | Kenneth Branagh | Kenneth Branagh, Alicia Silverstone |
| Macbeth (1971) R | Roman Polanski | Jon Finch, Francesca Annis |
| Macbeth (1978) NR | Philip Casson | Ian McKellen, Judy Dench |
| The Merchant of Venice (2004) R | Michael Radford | Al Pacino, Jeremy Irons |
| The Merchant of Venice (2001) NR | Christ Hunt, Trevor Nunn | David Bamber, Peter De Jersey |
| The Merry Wives of Windsor (1970) NR | Leon Charles, Gloria Grahame | |
| Midsummer Night's Dream (1996) PG-13 | Adrian Noble | Lindsay Duncan, Alex Jennings |
| A Midsummer Night's Dream (1999) | Michael Hoffman | Kevin Kline, Michelle Pfeiffer |
| Much Ado About Nothing (1993) PG 13 | Kenneth Branaugh | Branaugh, Emma Thompson |
| Othello (1990) NR | Trevor Nunn | Ian McKellen, Michael Grandage |
| Othello (1955) NR | Orson Welles | Orson Welles |
| Ran (1985) Japanese Version of King Lear R | Akira Kurosawa | Tatsuya Nakadai, Akira Terao |
| Richard II (2001) NR | John Farrell | Matte Osian, Kadina de Elejalde |
| Richard III (1912) NR | André Calmettes, James Keane | Robert Gemp, Frederick Warde |
| Richard III - Criterion Collection (1956) NR | Laurence Olivier | Laurence Olivier, Ralph Richardson |
| Richard III (1995) R | Richard Loncraine | Ian McKellen, Annette Bening |
| Romeo and Juliet (1968) G | Franco Zeffirelli | Leonard Whiting, Olivia Hussey |
| Romeo and Juliet (1996) PG-13 | Baz Luhrmann | Leonardo DiCaprio, Claire Danes |
| Romeo and Juliet (1976) NR | Joan Kemp-Welch | Christopher Neame, Ann Hasson |
| The Taming of the Shrew (1967) | Franco Zeffirelli | Elizabeth Taylor, Richard Burton |
| The Taming of the Shrew (1976) | Kirk Browning | Raye Birk, Earl Boen, Ron Boussom |
| The Taming of The Shrew (1983) NR | Franklin Seales, Karen Austin, | |
| The Tempest PG | Paul Mazursky | John Cassavetes, Gena Rowlands |
| The Tempest (1998) | Jack Bender | Peter Fonda, John Glover, Harold Perrineau, |
| Throne of Blood (1961) Macbeth in Japan NR | Akira Kurosawa | Toshirô Mifune, Isuzu Yamada |
| Twelfth Night (1996) PG | Trevor Nunn | Helena Bonham Carter |
| The Winter's Tale (2005) NR | Greg Doran | Royal Shakespeare Company |