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Plot Summary By Michael J. Cummings...© 2003 .......Henry IV Part II continues the story of Henry IV Part I. At the end of the latter play, the forces of King Henry IV defeat a rebel army at Shrewsbury, on the Welsh-English border, in 1403 during a battle in which the king’s son, Prince Henry (Hal), distinguishes himself by slaying the rebels’ champion, Hotspur. Henry IV Part II focuses on the final defeat of the remaining rebel forces, the illness and approaching death of King Henry, the further misadventures of Falstaff, and the transition of Hal from the carefree pub-crawler that he was in Part I to a sober-minded heir to the throne of England. The Plot .......Rumor
spreads that Hotspur has killed Prince Hal and that the rebels have defeated
the royalists. However, Henry Percy, Earl of Northumberland, soon learns
the truth about his son Hotspur and the rebel army: It was not Hotspur
who killed Hal; it was Hal who killed Hotspur. What is more, it was not
the rebels who defeated the royalists; it was the royalists who defeated
the rebels. Nevertheless, the rebels are far from ripe for surrender. They
form a coalition that includes a defector to their cause: Richard Scroop,
the Archbishop of O sleep, O gentle sleep,.......In Gaultree forest in Yorkshire, site of the insurgents’ camp, the archbishop and other rebel leaders despair at news that Northumberland will not be fighting at their side. Then the Earl of Westmoreland, an ambassador from royalist forces under Prince John of Lancaster, arrives to parlay with the rebels, telling them that John is willing to hear their grievances and grant concessions if the grievances are just. After the rebels present their list of complaints, Westmoreland delivers it to Lancaster. .......Lancaster then meets with the rebels and swears by his honor that he will speedily redress the grievances. Taking the prince at his word, the rebel leaders order their armies to disperse. However, as soon as the armies leave, Prince John goes back on his word, arrests the leaders, and summarily executes them. Then he orders the fleeing rebel troops to be run down. .......In another part of the forest, Falstaff somehow has managed to capture a prisoner. When Falstaff and Lancaster meet, the prince rebukes the fat knight for always being absent from the scene of battle and threatens to send him to the gallows. Falstaff then proudly displays his prize, the prisoner, saying he is a “most furious knight and valourous enemy . . . I came, I saw, I overcame”1 (4. 3. 17). .......After Lancaster leaves, Falstaff says the cold, unsmiling prince is the way he is because he has not cultivated the habit of drinking wine. In Westminster, the king, now very sick, broods about his son Prince Hal. Will he ever mature enough to succeed his father as King of England? Westmoreland then arrives with excellent news: The rebels have been defeated; peace reigns. However, the king’s condition worsens, and he realizes death stands near to claim him. When Prince Hal arrives to comfort his father, the king offers this advice to his son: “Be it thy course to busy giddy minds with foreign quarrels; that action, hence borne out, may waste the memory of the former days” (4. 5. 221-223). .......In other words, if England centers its attention on conflicts with foreign countries, the people will likewise divert their attention from making domestic mischief and focus instead on making international mischief. The king then is carried to the palace’s Jerusalem Chamber. There he dies, fulfilling a prophecy that he would die in Jerusalem. .......Upon hearing that Hal is now King Henry V, Falstaff hurriedly returns to his friend’s side to reap the benefits of having a monarch for a bosom pal. However, Hal, as king, becomes a different person. He is sober, solemn, full of kingly dignity; he means business. Hal lectures Falstaff on his unprincipled ways, then banishes him on pain of death, telling him “not to come near our person by ten mile” (5. 5. 56). If Falstaff reforms, Hal says, “We will, according to your strengths and qualities, give you advancement” (5. 5. 60-61). The new king next convenes a session of parliament to discuss war with a new enemy, France. . Characters
. Henry IV Part II takes place in England after the Battle of Shrewsbury in 1403. The locales include London, York, Warkwarth, Westminster, Gloucestershire, Yorkshire, Gaultree Forest. Date
Written: About 1597
Henry
IV Part II is a history play about the last days of King Henry IV and
the accession to the throne of his son, Prince Henry (Hal) as King Henry
V. The scenes involving Falstaff and his drinking companions are fictional.
Responsibility
helps cultivate maturity.
Prince Hal becomes a reliable and upright leader while executing his military
and governmental duties.
The climax of the play occurs
when King Henry dies and his son, Prince Hal, accedes to the throne.
.......Henry
IV Part I made Falstaff a popular comic character
with audiences. He even became a favorite of Queen Elizabeth I. Consequently,
in Henry IV Part II, Shakespeare devotes considerable attention
to the fat knight, perhaps more attention than he should receive in a play
that presents as the central characters a dying king and his son. However,
Falstaff’s shenanigans play a key role in the play in that they (1) demonstrate
the kind of life Prince Hal has led as a companion of Falstaff and (2)
set up the stunning scene at the end of the play when Hal, more mature,
renounces his old lifestyle and Falstaff. This scene is important because
it shows that Hal has
In the dialogue of Henry IV Part II and other Shakespeare plays, characters sometimes speak wise or witty sayings, or epigrams, couched in memorable language. Among the more memorable sayings in Henry IV Part II are the following: Uneasy lies the head that wears the crown. (3. 1. 33) 1. In Act III, Scene I, Line
33, King Henry observes, “Uneasy lies the head that wears the crown.” He
means that those who take on the ....responsibilities
of leadership also take on the worries that go with them. Identify several
world leaders today who are uneasy because ....they
“wear the crown” and explain why they are uneasy.
Notes 1. I came, I saw, I overcame:
These words parody the Latin words of Julius Caesar: Veni, vidi, vici,
meaning I came, I saw, I conquered. ....Caesar
wrote the words in a message to the Roman Senate after he won a victory
in the Battle of Zela (in present-day northern Turkey) ....in
47 BC.
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| Film | Director | Actors |
| Antony and Cleopatra (1974) | Trevor Nunn, John Schoffield | Richard Johnson, Janet Suzman |
| As You Like It (1937) NR | Paul Czinner | Henry Ainley, Felix Aylmer |
| Hamlet (1948) NR | Laurence Olivier | Laurence Olivier, Jean Simmons |
| Hamlet (1990) NR | Kevin Kline | Kevin Kline |
| Hamlet (1991) PG | Franco Zeffirelli | Mel Gibson, Glenn Close |
| Hamlet (1996) PG-13 | Kenneth Branagh | Kenneth Branagh, |
| Hamlet (1964) NR | John Gielgud, Bill Colleran | Richard Burton, Hume Cronyn |
| Hamlet (1964) NR | Grigori Kozintsev | Innokenti Smoktunovsky |
| Hamlet (2000) NR | Cambpell Scott, Eric Simonson | Campbell Scott, Blair Brown |
| Henry V (1989) PG-13 | Kenneth Branagh | Kenneth Branaugh, Derek Jacobi |
| Henry V( 1946) NR | Laurence Olivier | Leslie Banks, Felix Aylmer |
| Julius Caesar (1950) NR | David Bradley | Charlton Heston |
| Julius Caesar (1953) NR | Joseph L. Mankiewicz | Marlon Brando, James Mason |
| Julius Caesar (1970) G | Stuart Burge | Charlton Heston, Jason Robards |
| King Lear (1970) | Grigori Kozintsev | Yuri Yarvet |
| King Lear (1971) | Peter Brook | Cyril Cusack, Susan Engel |
| King Lear (1974) NR | Edwin Sherin | James Earl Jones |
| King Lear (1976) NR | Tony Davenall | Patrick Mower, Ann Lynn |
| King Lear (1984) NR | Michael Elliott | Laurence Olivier, Colin Blakely |
| King Lear (1997) NR | Richard Eyre | Ian Holm |
| Love's Labour's Lost (2000) | Kenneth Branagh | Kenneth Branagh, Alicia Silverstone |
| Macbeth (1971) R | Roman Polanski | Jon Finch, Francesca Annis |
| Macbeth (1978) NR | Philip Casson | Ian McKellen, Judy Dench |
| The Merchant of Venice (2004) R | Michael Radford | Al Pacino, Jeremy Irons |
| The Merchant of Venice (2001) NR | Christ Hunt, Trevor Nunn | David Bamber, Peter De Jersey |
| The Merry Wives of Windsor (1970) NR | Leon Charles, Gloria Grahame | |
| Midsummer Night's Dream (1996) PG-13 | Adrian Noble | Lindsay Duncan, Alex Jennings |
| A Midsummer Night's Dream (1999) | Michael Hoffman | Kevin Kline, Michelle Pfeiffer |
| Much Ado About Nothing (1993) PG 13 | Kenneth Branaugh | Branaugh, Emma Thompson |
| Othello (1990) NR | Trevor Nunn | Ian McKellen, Michael Grandage |
| Othello (1955) NR | Orson Welles | Orson Welles |
| Ran (1985) Japanese Version of King Lear R | Akira Kurosawa | Tatsuya Nakadai, Akira Terao |
| Richard II (2001) NR | John Farrell | Matte Osian, Kadina de Elejalde |
| Richard III (1912) NR | André Calmettes, James Keane | Robert Gemp, Frederick Warde |
| Richard III - Criterion Collection (1956) NR | Laurence Olivier | Laurence Olivier, Ralph Richardson |
| Richard III (1995) R | Richard Loncraine | Ian McKellen, Annette Bening |
| Romeo and Juliet (1968) G | Franco Zeffirelli | Leonard Whiting, Olivia Hussey |
| Romeo and Juliet (1996) PG-13 | Baz Luhrmann | Leonardo DiCaprio, Claire Danes |
| Romeo and Juliet (1976) NR | Joan Kemp-Welch | Christopher Neame, Ann Hasson |
| The Taming of the Shrew (1967) | Franco Zeffirelli | Elizabeth Taylor, Richard Burton |
| The Taming of the Shrew (1976) | Kirk Browning | Raye Birk, Earl Boen, Ron Boussom |
| The Taming of The Shrew (1983) NR | Franklin Seales, Karen Austin, | |
| The Tempest PG | Paul Mazursky | John Cassavetes, Gena Rowlands |
| The Tempest (1998) | Jack Bender | Peter Fonda, John Glover, Harold Perrineau, |
| Throne of Blood (1961) Macbeth in Japan NR | Akira Kurosawa | Toshirô Mifune, Isuzu Yamada |
| Twelfth Night (1996) PG | Trevor Nunn | Helena Bonham Carter |
| The Winter's Tale (2005) NR | Greg Doran | Royal Shakespeare Company |