By Edgar Allan Poe (1809-1849) A Study Guide | ||||||
. Study Guide Compiled by Michael J. Cummings..© 2010 ....... Type of Work and Publication Date .......“William Wilson" is a short story with Gothic overtones. It centers on psychological terror and the possibility of paranormal activity (if the narrator is sane, which he probably is not.). The story first appeared in the October 1839 issue of Burton's Gentleman's Magazine and shortly thereafter in The Gift: A Christmas and New Year's Present, published in 1839 with an 1840 date. .......The action begins in an undisclosed location where the narrator tells his story while he is near death. When the narrator begins his tale, the action flashes back to an English village that Poe modeled after Stoke Newington, north of London, where he attended Manor House School from 1817 to 1820 while living in Britain with John Allan and his wife, Frances. The Allans reared Poe after his mother died. The school in "William Wilson" is based on Manor House School. Other locales in the story are Eton, a town just west of London that is the site of Eton College, a secondary school for adolescent boys; Oxford, a city sixty miles northwest of London that is the site of Oxford University; the continental European cities of Paris, Rome, Vienna, Berlin, and Moscow; the African country of Egypt; and, as the narrator says, "the very ends of the earth." Protagonist: The narrator
Narrator (William Wilson
1): Protagonist, a mentally disturbed man who says he is near death.
He has assumed a fictitious name, William Wilson, because his real name
is reviled as an object of utmost infamy. He tells a story that began when
he was a schoolboy. His purpose is to gain a modicum of sympathy from the
reader because, he says, his evil deeds arose from circumstances beyond
his control.
.......The protagonist begins the story in the present by describing his temperament and family background, then flashes back to his school days. Because he appears demented, he must be classed as an unreliable narrator. Plot
Summary
.......The
narrator calls himself William Wilson, preferring to keep secret his real
name—an object of scorn because of his wickedness. Now that he is dying,
he wishes to show that “I have been, in some measure, the slave of circumstances
beyond human control."
Themes The Enemy Within .......All of us act against our own best interests from time to time. We do so through overeating, drinking to excess, workaholism, procrastination, habitual tardiness at work, or other activities. Sometimes an out-of-control inner demon causes us to suffer panic attacks, depression, or insomnia or to develop a fear of flying or public speaking. Not infrequently, the more we try to banish the demon and the symptoms he causes, the more diabolical he becomes and the more intense the symptoms. The narrator of “William Wilson" is an extreme case (if one assumes that he is the victim of mental illness and not a paranormal phenomenon). He sees and hears his demon as if it were a real person. In his struggle against the demon, he struggles against himself and loses by winning. Poe well understood that the human mind can turn against itself; he well understood that a crippling debility can result from a force within—a whispering voice that tricks and confounds. It turns the person into his own worst enemy. Terror .......Struggling against an imagined enemy—or a doppelgänger or wraith—the narrator first tries to undo his foe in various competitions. But when the enemy fails to succumb to his schemes, the narrator suffers extreme terror. To escape his foe, the narrator moves from city to city. However, his walking nightmare is always only a few steps behind him. .......The climax of a literary work such as a short story or a novel can be defined as (1) the turning point at which the conflict begins to resolve itself for better or worse, or as (2) the final and most exciting event in a series of events. The climax of "William Wilson" occurs, according to the first definition, when the narrator is revealed as a cheat at the card game. This development forces the narrator to leave Oxford and move from country to country to try to escape his rival. According to the second definition, the climax occurs when the narrator repeatedly plunges his sword into his rival and discovers that he has wounded himself. The Mansion as the Narrator's Mind .......The human brain contains membranes, blood vessels, nerve cells, and complex networks of nerve fibers that carry messages. The mansion in which the narrator attends school appears to represent the narrator's brain—a brain that, apparently because of a mental debility, confuses and disorients him. Consider the following passage from the story: But the house!—how quaint an old building was this!—to me how veritably a place of enchantment! There was really no end to its windings—to its incomprehensible subdivisions. It was difficult at any given time, to say with certainty upon which of its two stories one happened to be. From each room to every other there were sure to be found three or four steps either in ascent or descent. Then the lateral branches were innumerable—inconceivable—and so returning in upon themselves, that our most exact ideas in regard to the whole mansion were not very far different from those with which we pondered upon infinity. During the five years of my residence here, I was never able to ascertain with precision, in what remote locality lay the little sleeping apartment assigned to myself and some eighteen or twenty other scholars.Perhaps the most intriguing sentence in the passage is the third one, referring to the two stories. Perhaps Poe intended them to represent the narrator and the rival whom he sees and hears. Or they could represent the conscious mind (which may choose a certain course of action) and the subconscious mind (which may oppose a course of action chosen by the conscious mind). Finally, they could be representations of multiple personality disorder (formerly called split personality) in which two or more personalities vie for control of the mind. If the narrator has two personalities, each of which alternately gains control, he at times becomes the rival chasing the narrator and at other times becomes the narrator fleeing the rival. He makes this possibility seem plausible by first reporting that Dr. Bransby, who serves as both principal of the school and pastor of the church, also exhibits symptoms of this disorder: Of this church the principal of our school was pastor. With how deep a spirit of wonder and perplexity was I wont to regard him from our remote pew in the gallery, as, with step solemn and slow, he ascended the pulpit! This reverend man, with countenance so demurely benign, with robes so glossy and so clerically flowing, with wig so minutely powdered, so rigid and so vast,—could this be he who, of late, with sour visage, and in snuffy habiliments, administered, ferule in hand, the Draconian laws of the academy? Oh, gigantic paradox, too utterly monstrous for solution!Willful William .......The narrator says he was a willful child who always got his way: I grew self-willed, addicted to the wildest caprices, and a prey to the most ungovernable passions. Weak-minded, and beset with constitutional infirmities akin to my own, my parents could do but little to check the evil propensities which distinguished me. Some feeble and ill-directed efforts resulted in complete failure on their part, and, of course, in total triumph on mine. Thenceforward my voice was a household law; and at an age when few children have abandoned their leading-strings, I was left to the guidance of my own will, and became, in all but name, the master of my own actions........But one day, he met another boy with a strong will of his own, and they became rivals. Oddly, they shared the same first name and last name, but the narrator does not disclose this appelation; instead, he calls himself and his rival by the same fictitious name, William Wilson. Notice that will appears in William and wil in Wilson. The name thus represents, in a play on words, the central conflict in this story: the war of wills. Because the second Wilson is apparently a figment of the narrator's diseased imagination, the conflict develops in the mind of the narrator, who could have a split personality (or, in modern terms, multiple personality disorder). However, if the reader regards the story as a tale of the paranormal, the rival could be regarded as a doppelgänger, a ghost who is the double of a living person. The conflict then would be between the narrator and his ghostly double. .......Following are examples of figures of speech in the story. Alliteration: the follies of youth and unbridled fancy
Vocabulary, Allusions Dominie: Lord, master.
.......Edgar
Allan Poe was born on January 19, 1809, in Boston. After being orphaned
at age two, he was taken into the home of a childless couple–John Allan,
a successful businessman in Richmond, Va., and his wife. Allan was believed
to be Poe’s godfather. At age six, Poe went to England with the Allans
and was enrolled in schools there. After he returned with the Allans to
the U.S. in 1820, he studied at private schools, then attended the University
of Virginia and the U.S. Military Academy, but did not complete studies
at either school. After beginning his literary career as a poet and prose
writer, he married his young cousin, Virginia Clemm. He worked for several
magazines and joined the staff of the New York Mirror newspaper
in 1844. All the while, he was battling a drinking problem. After the Mirror
published his poem “The Raven" in January 1845, Poe achieved national and
international fame. Besides pioneering the development of the short story,
Poe invented the format for the detective story as we know it today. He
also was an outstanding literary critic. Despite the acclaim he received,
he was never really happy because of his drinking and because of the deaths
of several people close to him, including his wife in 1847. He frequently
had trouble paying his debts. It is believed that heavy drinking was a
contributing cause of his death in Baltimore on October 7, 1849.
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